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	<title>Music &#38; Language Studies &#187; Analysis</title>
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	<link>http://www.musiclanguage.net</link>
	<description>Dedicated to the integrated study of music and language.</description>
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		<title>Speech Prosody &amp; Music (UCSB Linguistics Colloquium, May 2006)</title>
		<link>http://www.musiclanguage.net/2007/03/30/speech-prosody-music-ucsb-linguistics-colloquium-may-2006/</link>
		<comments>http://www.musiclanguage.net/2007/03/30/speech-prosody-music-ucsb-linguistics-colloquium-may-2006/#comments</comments>
		<pubDate>Fri, 30 Mar 2007 23:22:43 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Blogroll]]></category>
		<category><![CDATA[Events]]></category>
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		<description><![CDATA[Speech Prosody &#038; Music:
Transcription, Perception, and Meaning
Jonathan G. Secora Pearl
Linguistics Colloquium, May 18, 2006
University of California—Santa Barbara
Abstract
Music and language are twin aspects of civilization, found in all known human cultures, across time and place, embracing us from our earliest days until the ends of our lives. Speaking and singing are found everywhere and everywhen. Wherein [...]]]></description>
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		<title>“Varieties of Czech Prosody, a century ago and today,” DGfS 2007</title>
		<link>http://www.musiclanguage.net/2006/11/13/%e2%80%9cvarieties-of-czech-prosody-a-century-ago-and-today%e2%80%9d-dgfs-2007/</link>
		<comments>http://www.musiclanguage.net/2006/11/13/%e2%80%9cvarieties-of-czech-prosody-a-century-ago-and-today%e2%80%9d-dgfs-2007/#comments</comments>
		<pubDate>Tue, 14 Nov 2006 07:01:46 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Blogroll]]></category>

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		<description><![CDATA[To be presented at the Annual Meeting of the German Society of Linguistics (DgfS)
(28 Feb 2007 – 2 Mar 2007)
Jonathan G. Secora Pearl
Department of Linguistics
University of California, Santa Barbara
jpearl@ linguistics.ucsb.edu
Abstract: “Varieties of Czech Prosody, a century ago and today”.
In 1897, the Czech composer and pedagogue Leoš Janáček (1854-1928) began a journey into the field of [...]]]></description>
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		<title>Infant Sound Environment Project (ISEP)</title>
		<link>http://www.musiclanguage.net/2006/06/19/infant-sound-environment-project-isep-2/</link>
		<comments>http://www.musiclanguage.net/2006/06/19/infant-sound-environment-project-isep-2/#comments</comments>
		<pubDate>Mon, 19 Jun 2006 19:13:01 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[In Progress]]></category>
		<category><![CDATA[Issues]]></category>

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		<description><![CDATA[The Infant Sound Environment Project (ISEP) is a longitudinal study of the sound inputs to infants and the relationship of these inputs to the sound production of these children as they emerge from infancy. Follow on research will address aspects of perceptual equivalence, to better understand this relationship. While previous studies have addressed the acquisition [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Competition Model and its Relevance for Speech/Song Research</title>
		<link>http://www.musiclanguage.net/2006/06/19/the-competition-model-and-its-relevance-for-speechsong-research/</link>
		<comments>http://www.musiclanguage.net/2006/06/19/the-competition-model-and-its-relevance-for-speechsong-research/#comments</comments>
		<pubDate>Mon, 19 Jun 2006 18:04:28 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Issues]]></category>
		<category><![CDATA[Terminology]]></category>

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		<description><![CDATA[Jonathan G. Secora Pearl
Department of Linguistics
University of California, Santa Barbara
Corresponding address:
Jonathan Pearl
Music &#038; Language Studies
7220 N. Rosemead Blvd., Suite 202-10
San Gabriel, CA 91775
email: type&#8221;jonathan@musiclanguage.net&#8221;
ABSTRACT
The emerging field of music and language studies draws on the traditions and techniques of linguistics and musicology, with an empirical and cognitive bent. The present paper examines the relevance of the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Denoting the Voice: Text and Context in Music and Language</title>
		<link>http://www.musiclanguage.net/2006/05/18/denoting-the-voice-text-and-context-in-music-and-language/</link>
		<comments>http://www.musiclanguage.net/2006/05/18/denoting-the-voice-text-and-context-in-music-and-language/#comments</comments>
		<pubDate>Thu, 18 May 2006 16:22:04 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Bibliography]]></category>
		<category><![CDATA[In Progress]]></category>
		<category><![CDATA[Terminology]]></category>

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		<description><![CDATA[Denoting the Voice: Text and Context in Music and Language
Jonathan G. Secora Pearl
Fellowship proposal, submitted to the NEH
The Problem
Charles Darwin was wrong, at least about music. In “The Descent of Man,” he wrote: “As neither the enjoyment nor the capacity of producing musical notes are faculties of the least use to man in reference to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Software page updated</title>
		<link>http://www.musiclanguage.net/2006/05/16/software-page-updated/</link>
		<comments>http://www.musiclanguage.net/2006/05/16/software-page-updated/#comments</comments>
		<pubDate>Tue, 16 May 2006 20:48:39 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Resources]]></category>
		<category><![CDATA[Updates]]></category>

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		<description><![CDATA[Links have been added to the Software page, including links to the tools EXMARaLDA and PRAAT.
]]></description>
		<wfw:commentRss>http://www.musiclanguage.net/2006/05/16/software-page-updated/feed/</wfw:commentRss>
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		<item>
		<title>Not awaiting Dolly (abstract for PCS-AMS, Berkeley, CA, May 6-7, 2006)</title>
		<link>http://www.musiclanguage.net/2006/03/31/not-awaiting-dolly-abstract-for-pcs-ams-berkeley-ca-may-6-7-2006/</link>
		<comments>http://www.musiclanguage.net/2006/03/31/not-awaiting-dolly-abstract-for-pcs-ams-berkeley-ca-may-6-7-2006/#comments</comments>
		<pubDate>Fri, 31 Mar 2006 21:07:50 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>

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		<description><![CDATA[Not Awaiting Dolly: Louis Armstrong&#8217;s speaking style
Louis Armstrong&#8217;s various renditions of the song “Hello Dolly” present a  concrete basis for examining the issue of swing as reflected in vocal  entrances. This paper will present and discuss the means and extent to  which he uses salient entrances to push the beat ahead, and [...]]]></description>
		<wfw:commentRss>http://www.musiclanguage.net/2006/03/31/not-awaiting-dolly-abstract-for-pcs-ams-berkeley-ca-may-6-7-2006/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Infant Sound Environment Project (ISEP)</title>
		<link>http://www.musiclanguage.net/2006/03/29/infant-sound-environment-project-isep/</link>
		<comments>http://www.musiclanguage.net/2006/03/29/infant-sound-environment-project-isep/#comments</comments>
		<pubDate>Wed, 29 Mar 2006 19:51:18 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Issues]]></category>

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		<description><![CDATA[Draft

The Infant Sound Environment Project (ISEP) is a longitudinal study of the sound inputs to infants and the relationship of these inputs to the sound production of these same children as they emerge from infancy. While previous studies have often addressed the acquisition of words and grammar—how meaning and form emerge in the human mind—the [...]]]></description>
		<wfw:commentRss>http://www.musiclanguage.net/2006/03/29/infant-sound-environment-project-isep/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>In progress pages added</title>
		<link>http://www.musiclanguage.net/2006/03/23/in-progress-pages-added/</link>
		<comments>http://www.musiclanguage.net/2006/03/23/in-progress-pages-added/#comments</comments>
		<pubDate>Fri, 24 Mar 2006 07:20:19 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[In Progress]]></category>
		<category><![CDATA[Updates]]></category>

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		<description><![CDATA[Added the pages Melodic ambiguity in song and speech and Anticipating Dolly, describing two new projects, under the heading In Progress.
]]></description>
		<wfw:commentRss>http://www.musiclanguage.net/2006/03/23/in-progress-pages-added/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Berkner &amp; Armstrong analyses (tba)</title>
		<link>http://www.musiclanguage.net/2006/03/18/berkner-armstrong-analyses-tba/</link>
		<comments>http://www.musiclanguage.net/2006/03/18/berkner-armstrong-analyses-tba/#comments</comments>
		<pubDate>Sat, 18 Mar 2006 15:19:55 +0000</pubDate>
		<dc:creator>Jonathan G. Secora Pearl</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[In Progress]]></category>
		<category><![CDATA[Updates]]></category>

		<guid isPermaLink="false">http://www.musiclanguage.net/2006/03/15/berkner-armstrong-analyses-tba/</guid>
		<description><![CDATA[Need to add some analyses of Laurie Berkner (&#8220;the only thing&#8230;&#8221;) from &#8220;I really love to dance&#8221;, and Louis Armstrong&#8217;s rendition of &#8220;Hello Dolly&#8221; as illustrations of melodic and rhythmic ambiguity in music. Possibly add others to this roster. Use screenshots and sound clips to illustrate these concepts.
For Berkner analysis, also compare to a few [...]]]></description>
		<wfw:commentRss>http://www.musiclanguage.net/2006/03/18/berkner-armstrong-analyses-tba/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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